La ciudad de Barcelona como marco de la acción en El desdén, con el desdén: The city of Barcelona as a framework for the action in El desdén, con el desdén
- Statement of Responsibility:
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Ruiz Ruiz, Inmaculada
- Autor:
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Ruiz Ruiz, Inmaculada
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- Format:
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Artykuł z czasopisma
- Język:
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Spanish; Castilian
- Forma / Gatunek:
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text (article)
- Opublikowane:
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2020
- W:
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Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro ISSN 2328-1308 Vol. 8, Nº. 2, 2020, pags. 177-191
- Hasła przedmiotowe:
- Adnotacja:
-
El desdén, con el desdén (Agustín Moreto 1652-1653) is a comedy written to be represented in the Hall of Virtue of Philip IV, an issue that has remained unpublished to date. In this article, the author analyzes this issue in relation to the importance that the city of Barcelona acquires as a space for action. The purpose of these comedies was to represent in the Court an allegory about the good government of the monarch. The theme of El desdén, con el desdén, that includes the city of Barcelona itself, reflects the common meaning of the room and the scene. City and theater look in a mirror, each other: the city is symbolized in the theater; the theater is projected in the city. The city, therefore, becomes the main theme of the theatrical event for the self-celebration of the court
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| 520 | 3 | \ | |a El desdén, con el desdén (Agustín Moreto 1652-1653) is a comedy written to be represented in the Hall of Virtue of Philip IV, an issue that has remained unpublished to date. In this article, the author analyzes this issue in relation to the importance that the city of Barcelona acquires as a space for action. The purpose of these comedies was to represent in the Court an allegory about the good government of the monarch. The theme of El desdén, con el desdén, that includes the city of Barcelona itself, reflects the common meaning of the room and the scene. City and theater look in a mirror, each other: the city is symbolized in the theater; the theater is projected in the city. The city, therefore, becomes the main theme of the theatrical event for the self-celebration of the court |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Agustín Moreto | ||
| 650 | |a Felipe IV | ||
| 650 | |a Salón de reinos | ||
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| 650 | |a ciudad | ||
| 650 | |a Barcelona | ||
| 650 | |a El desdén | ||
| 650 | |a con el desdén | ||
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| 650 | |a Hall of the kingdoms | ||
| 650 | |a Courtly Theatre | ||
| 650 | |a City | ||
| 650 | |a Barcelona | ||
| 650 | |a El desdén | ||
| 650 | |a con el desdén | ||
| 650 | |a Buen Retiro Palace | ||
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| 773 | |t Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro |x 2328-1308 |g Vol. 8, Nº. 2, 2020, pags. 177-191 | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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