El hibridismo del villancico: la figura del pastor entre lo lírico y lo teatral

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                            [a] => El personaje del pastor mantiene una fuerte presencia en el villancico religioso barroco, cuyo auge tuvo lugar en el siglo XVII y en una buena parte del XVIII. En esta figura confluyen varios tipos líricos y teatrales procedentes de las obras de Juan del Encina y de otros autores cercanos en el tiempo. Se pretende romper el tópico de que el pastor cómico, materialista y glotón fue el que pasó a entremeses y villancicos, abordando una tipología del personaje que entronca con el pastor primitivo rústico, en su vertiente más cómica y cercana a lo teatral o en su caracterización lírica de inspiración culta.
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 9,  Nº. 1,  2021,  pags. 101-129
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