Versos ilustrados para memorias medievales: cuatro poemas inéditos "Sobre el desembarco de Carlos I en España y su estancia en la casa-palacio de los Hevia en Villaviciosa (c. 1810)". Estudio y edición
- Statement of Responsibility:
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Olay Valdés, Rodrigo
- Autor:
- Osoby współtworzące:
- Format:
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Artykuł z czasopisma
- Język:
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Spanish; Castilian
- Forma / Gatunek:
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text (article)
- Opublikowane:
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2021
- W:
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Archivum: Revista de la Facultad de Filosofía y Letras ISSN 0570-7218 Nº 71, 2021, pags. 311-374
- Hasła przedmiotowe:
- Adnotacja:
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In the present work we offer the edition and study of four unknown poems On the landing of Carlos I in Spain and his stay in the Hevia house-palace in Villaviciosa. The texts are an example of propaganda poetry of the thesis that its title reveals and make up a whole poetic sequence that fully reveals the enlightened mentality with regard to a new conception of History and the probative value of Archive documentation. In fact, to prove Carlos I's accommodation in the House of Hevia, the poems are full of historical, historiographic and documentary references, which makes this sequence a striking example of versified history. In the following pages, as a prelude to the edition of the poems, their construction and poetic articulation are studied, their dating is established (c. 1810), their possible authorship is proposed (Francisco de Paula Caveda y Solares), their different historical protagonists are identified and its rich historical and archival sources are located.
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520 | 3 | \ | |a In the present work we offer the edition and study of four unknown poems On the landing of Carlos I in Spain and his stay in the Hevia house-palace in Villaviciosa. The texts are an example of propaganda poetry of the thesis that its title reveals and make up a whole poetic sequence that fully reveals the enlightened mentality with regard to a new conception of History and the probative value of Archive documentation. In fact, to prove Carlos I's accommodation in the House of Hevia, the poems are full of historical, historiographic and documentary references, which makes this sequence a striking example of versified history. In the following pages, as a prelude to the edition of the poems, their construction and poetic articulation are studied, their dating is established (c. 1810), their possible authorship is proposed (Francisco de Paula Caveda y Solares), their different historical protagonists are identified and its rich historical and archival sources are located. |
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540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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