El rol femenino en los discursos amorosos de La margarita del Tajo que dio nombre a Santarén de Ángela de Azevedo

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                            [a] => This article draws up a map of the love discourses present in La margarita del Tajo que dio nombre a Santarén (circa 1622-1640) by the Portuguese  playwright Ángela de Azevedo in order to elucidate how the play goes one step further in the critique of the patriarchal order within the Golden Age Spanish theatre.  La margarita del Tajo by Angela de Azevedo is a «comedia de santos» that freely  recreates the circumstances of the death of Irene de Tancor, a 6th century Portuguese martyr who met tragic death at the hands of the two male characters who  were after her affection. From the analysis of the actions and dialogues, I propose  that three love discourses are manifested in the comedia -christian love, courtly  love, and comic love- which give the female characters different roles (ideal of  virtue, object of desire and marginal subject) with varying degrees of agency
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 9,  Nº. 2,  2021,  pags. 911-925
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