Consideraciones sobre la teoría del desplazamiento de Northrop Frye

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                            [a] => Although the  concept of displacement occupies  a central  place  in the thought and criticism of Northrop Frye, it  never received a coherent and unitary formulation because it  was mentioned and discussed in different works in  terms  which not always fitted  together.  The first part  of the paper is  an attempt to outline a theory of displacement which Frye never systematized explicitly,  bringing together the ideas provided by different texts  and,  in  so  doing,  showing  important  discrepancies  among them, especially  between  the  Anatomy  of Criticism  (1957)  and The  Secular Scripture (1976)-which offers,  in the author's view, a revised and more accurate  description  of  displacement.  The  second  part  is  both  a demonstration of the validity of this view and an illustration of the theory which  results  from  it,  focusing  on the  evolution  of a  universal  story pattern  or  plot-structure,  the  descent  into  the  Underworld,  from  Sir Orfeo,  through Chrétien de Troyes,  to  Richardson's Pamela and to  the Gothic romance.
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