Sensibilidade rara ou a estética do estrangeiro: Variações sobre a Autobiografía e Oro de Mallorca de Rubén Darío.
- Statement of Responsibility:
-
Carvalho, Sofia A.
- Autor:
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Carvalho, Sofia A.
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- Format:
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Artykuł z czasopisma
- Język:
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Portuguese
- Forma / Gatunek:
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text (article)
- Opublikowane:
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Asociación Cultural Impossibilia 2014
- W:
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Impossibilia ISSN 2174-2464 Nº. 7 (Abril), 2014, pags. 84-100
- Hasła przedmiotowe:
- Adnotacja:
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Our frst aim is to undertake an hermeneutic intersection between contemporary autobiographical literature and Rubén Darío�s poetry of the end of century (fin-de-siècle). Thereafter, we will examine the fctional character of the "self" as an exegetical category that enables a direct access, not only to the individuated construction of the bard�s rare sensitivity, but mainly to the aesthetic experience of similar attitudes accompanying him and constitute what we propose to denominate as an "aesthetic of the foreign". Lastly, we will depurate the sedimentations of the modelled image of the artist as dandy and the traces of poetic consciousness -to which the two autobiographies bear clear and evident testimony- allowing not only to consider the variations and modalizations of a self-portrait, but also to assess, as a possible exegetical category of Spanish-American modernism, the "foreign" as a symbol.
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| 520 | 3 | \ | |a Our frst aim is to undertake an hermeneutic intersection between contemporary autobiographical literature and Rubén Darío�s poetry of the end of century (fin-de-siècle). Thereafter, we will examine the fctional character of the "self" as an exegetical category that enables a direct access, not only to the individuated construction of the bard�s rare sensitivity, but mainly to the aesthetic experience of similar attitudes accompanying him and constitute what we propose to denominate as an "aesthetic of the foreign". Lastly, we will depurate the sedimentations of the modelled image of the artist as dandy and the traces of poetic consciousness -to which the two autobiographies bear clear and evident testimony- allowing not only to consider the variations and modalizations of a self-portrait, but also to assess, as a possible exegetical category of Spanish-American modernism, the "foreign" as a symbol. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: http://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: http://dialnet.unirioja.es/info/derechosOAI |
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