La amistad dialógica en tiempos recios
- Statement of Responsibility:
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Ocasar Ariza, José Luis
- Autor:
-
Ocasar Ariza, José Luis
Nie posiadamy jednoznaczego identyfikatora lub notki o tej osobie. Możesz spróbować zdobyć więcej informacji korzystając z zewnętrzych wyszukiwarek:
- Format:
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Artykuł z czasopisma
- Język:
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Spanish; Castilian
- Forma / Gatunek:
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text (article)
- Opublikowane:
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2014
- W:
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Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro ISSN 1988-1088 Nº. 8, 2014 (Ejemplar dedicado a: Literatura y política en el Renacimiento)
- Hasła przedmiotowe:
- Adnotacja:
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The critical intention of Arce de Otálora's Coloquios de Palatino y Pinciano embraces the greater part of mid-XVIth century. Nevertheless, the work has an esentially joyfull tone, avoiding the usual anguish and despair of nonconformist or dissenting people. The key of this lightness is friendship, a feeling that arises from the very first lines of this dialogue and acquires new importance in the Renaissance. Friendship doesn't appear only between interlocutors, but is essential in the genesis of this work. Moreover, Otálora extends it to all the literates, who would take part of an invisible community. Behind this, the hidden figures of Erasmus and Plutarch emerge in an undercover translation.
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| 245 | \ | \ | |a La amistad dialógica en tiempos recios |c Ocasar Ariza, José Luis |
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| 520 | 3 | \ | |a The critical intention of Arce de Otálora's Coloquios de Palatino y Pinciano embraces the greater part of mid-XVIth century. Nevertheless, the work has an esentially joyfull tone, avoiding the usual anguish and despair of nonconformist or dissenting people. The key of this lightness is friendship, a feeling that arises from the very first lines of this dialogue and acquires new importance in the Renaissance. Friendship doesn't appear only between interlocutors, but is essential in the genesis of this work. Moreover, Otálora extends it to all the literates, who would take part of an invisible community. Behind this, the hidden figures of Erasmus and Plutarch emerge in an undercover translation. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Arce de Otálora | ||
| 650 | |a Coloquios de Palatino y Pinciano | ||
| 650 | |a dialogue | ||
| 650 | |a friendship | ||
| 650 | |a Humanism | ||
| 650 | |a Plutarch | ||
| 650 | |a Erasmus | ||
| 650 | |a translation | ||
| 650 | |a Arce de Otálora | ||
| 650 | |a Coloquios de Palatino y Pinciano | ||
| 650 | |a diálogo | ||
| 650 | |a amistad | ||
| 650 | |a humanismo | ||
| 650 | |a Plutarco | ||
| 650 | |a Erasmo | ||
| 650 | |a traducción | ||
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| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=4941543 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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