"A Chile" y la cartografía volteada/encarnada
- Statement of Responsibility:
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Solis Bautista, Ariadna Itzel
- Autor:
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Solis Bautista, Ariadna Itzel
Nie posiadamy jednoznaczego identyfikatora lub notki o tej osobie. Możesz spróbować zdobyć więcej informacji korzystając z zewnętrzych wyszukiwarek:
- Format:
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Artykuł z czasopisma
- Język:
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Spanish; Castilian
- Forma / Gatunek:
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text (article)
- Opublikowane:
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2015
- W:
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Extravío: revista electrónica de literatura comparada ISSN 1886-4902 Nº. 8, 2015 (Ejemplar dedicado a: Visualidades descoloniales: producciones desde América Latina; I-X), pags. 23-37
- Hasła przedmiotowe:
-
- Adnotacja:
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This essay aims to develop how maps -characterized historically by order, streamline, organize and control the space and relationships they create - can be turned to organize reality differently and to use them for strategic purposes as subversive imaginary that can enhance communication, build networks of solidarity and affinity, and foster collaborative practices of resistance and transformation from "marginal" space looks, bodies and its demands. For this, it will be used "A Chile" by Elías Adasme, a piece that was made in the context of the Chilean dictatorship and can serve us to notice how maps made by south, from the south and for the south try to make complaint of repression, pain and endurance.
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| 520 | 3 | \ | |a This essay aims to develop how maps -characterized historically by order, streamline, organize and control the space and relationships they create - can be turned to organize reality differently and to use them for strategic purposes as subversive imaginary that can enhance communication, build networks of solidarity and affinity, and foster collaborative practices of resistance and transformation from "marginal" space looks, bodies and its demands. For this, it will be used "A Chile" by Elías Adasme, a piece that was made in the context of the Chilean dictatorship and can serve us to notice how maps made by south, from the south and for the south try to make complaint of repression, pain and endurance. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a cartography | ||
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| 650 | |a artistic practices | ||
| 650 | |a gender studies | ||
| 650 | |a Cartography | ||
| 650 | |a body | ||
| 650 | |a embodied mapping | ||
| 650 | |a Elías Adasme | ||
| 650 | |a "A Chile" | ||
| 650 | |a Cartography | ||
| 650 | |a A Chile | ||
| 650 | |a Elías Adasme | ||
| 650 | |a Cartografía | ||
| 650 | |a teoría decolonial | ||
| 650 | |a prácticas artísticas | ||
| 650 | |a Cartografía | ||
| 650 | |a cuerpos | ||
| 650 | |a cartografía encarnada | ||
| 650 | |a Elías Adasme | ||
| 650 | |a A Chile | ||
| 650 | |a Cartografía | ||
| 650 | |a Elías Adasme | ||
| 650 | |a A chile | ||
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