A estética do "numinoso" nas Nouvelles orientales de Marguerite Yourcenar

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                            [a] => Partindo de uma abordagem prévia à problemática genológica, bem como ao carácter impuro da fronteira canónica entre "novela", "conto" e "romance" em diferentes contextos culturais, problematizaremos, num primeiro momento, as questões de intensidade e brevidade, rememorando aquilo a que Edgar Allan Poe denominou de "unidade de impressão". Num segundo momento, proporemos uma análise exegética que, pela recriação da categoria do "numinoso" de Rudolf Otto e dos três elementos que a compõem (o tremendum; a majestas e a orgê), possibilita uma leitura simbólico-cultural e um novo acesso à obra yourcenariana, enquanto cifra de realidades culturais distintas. Por fim, a novidade hermenêutica da estética do "numinoso", permite potenciar, por um lado, aproximações arquetípicas às personagens das nouvelles yourcenarianas, e por outro, recoloca em poético confronto mundividências culturais díspares cuja sedimentação simbólico-cultural denominámos de numengrafia.
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