Revisión del canon clásico y transgresión escénica: La vida es sueño de Calderón de la Barca por Calixto Bieito (2000)

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                            [a] => This paper examines the personal rereading of the masterpiece of Spanish Golden Age Theater, La vida es sueño, by Calderon, made by Calixto Bieito in 2000 for the Compañía Nacional de Teatro Clásico (CNTC). The physicality of acting, the diction of verse, the spectacular scenography and the personal view of Bieito about the mythical Segismundo and his vicissitudes are analyzed here in order to radiograph a postmodern interpretation of this classic baroque from the scene.
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