Autour du théâtre = Wokół teatru
![no cover found](https://literarybibliography.eu/themes/default/images/no_cover.png)
- Statement of Responsibility:
-
Wacław Rapak, Jakub Kornhauser, Olga Bartosiewicz (éds.).
- Další autoři:
-
- Bartosiewicz, Olga Red.
-
Kornhauser, Jakub
(1984- )
Red.
- Rapak, Wacław Red.
- Formát:
-
Kniha
- Jazyk:
-
- French
- Polish
- Forma / Žánr:
-
- Dramat (gatunek literacki)
- Teatr
- Vydáno:
-
Kraków : Wydawnictwo "Scriptum" Tomasz Sekunda, 2015.
- Předmětová hesla:
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245 | |a Autour du théâtre = |b Wokół teatru / |c Wacław Rapak, Jakub Kornhauser, Olga Bartosiewicz (éds.). | ||
246 | 3 | 1 | |a Wokół teatru |
260 | \ | \ | |a Kraków : |b Wydawnictwo "Scriptum" Tomasz Sekunda, |c 2015. |
300 | \ | \ | |a 255 s. : |b il. kolor. ; |c 23 cm. |
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337 | \ | \ | |a Bez urządzenia pośredniczącego |b n |2 rdamedia |
338 | \ | \ | |a Wolumin |b nc |2 rdacarrier |
380 | \ | \ | |i Major genre |a Literature |l eng |
380 | \ | \ | |a Książki |
381 | \ | \ | |i Major genre |a Drama |l eng |
500 | \ | \ | |a Rozdziały lub artykuły tej książki skatalogowano pod własnymi tytułami. Dostępne pod tytułem pracy zbiorowej. |
504 | \ | \ | |a Bibliogr. s. 231-246. Indeks. |
546 | \ | \ | |a Tekst częśc. pol. Streszcz. ang. przy pracach. |
648 | \ | 7 | |a 1201-1300 |2 DBN |
648 | \ | 7 | |a 1401-1500 |2 DBN |
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648 | \ | 7 | |a 1801-1900 |2 DBN |
648 | \ | 7 | |a 1901-2000 |2 DBN |
648 | \ | 7 | |a 2001- |2 DBN |
655 | \ | 7 | |a Dramat (gatunek literacki) |x historia |2 DBN |
655 | \ | 7 | |a Teatr |x historia. |2 DBN |
700 | 1 | \ | |a Bartosiewicz, Olga |e Red. |
700 | 1 | \ | |a Kornhauser, Jakub |d (1984- ) |e Red. |1 http://viaf.org/viaf/165682085 |
700 | 1 | \ | |a Rapak, Wacław |e Red. |
710 | 2 | \ | |a Wydawnictwo Scriptum, Tomasz Sekunda |4 pbl |1 http://viaf.org/viaf/296177432 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005197790 |y has part: Bartosiewicz Olga, Beniamin Fundoianu et son project théâtral Insula s. 113-126 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005197791 |y has part: Rapak Wacław, Teatralny wymiar dzieła Henriego Michaux s. 137-151 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198027 |y has part: Dybeł Katarzyna, Pour une représentation d'Ève dans le Mystére du Viel Testament (env. 1450) s. 11-22 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198044 |y has part: Kornhauser Jakub, Witkacego Menażeria (i okolice) : awangarda w powijakach s. 127-136 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198100 |y has part: Baczewska Agnieszka, Gianduja w piemonckim teatrze lalek : typologia postaci teatralnej s. 101-112 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198145 |y has part: Szczur Przemysław, Comment parler, au théâtre, en 1864, des relations érotiques entre femmes ? s. 93-100 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198287 |y has part: Kocik Agnieszka, Le daguerréotype et la vaudeville ou L'art grossier/grossissant s. 81-91 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198324 |y has part: Sosień Barbara, Autour de Don Juan : vers George Sand et son Château des désertes s. 69-80 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198419 |y has part: Kolbusz-Lasa Wioletta, Le théâtre - la révélation de soi : Les frères Zemganno d'Edmond de Goncourt et Consuelo, la comtesse de Rudolstadt de George Sand s. 61-68 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005198464 |y has part: Pudo Dorota, Rola teatru w glottodydaktyce s. 189-202 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005199420 |y has part: Chrobak Marzena, Teatr a nauczanie literatury francuskiej w Instytucie Filologii Romańskiej Uniwersytetu Jagiellońskiego s. 175-187 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005199508 |y has part: Pawłowska Elżbieta, Wielojęzyczność w komedii dell'arte na przykładzie krakowskiego Studio Dono s. 163-174 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005199618 |y has part: Paszkowska-Tarczewska Alicja, "Textes et corps ensemble" : le théâtre dans l'ecriture de Didier-Georges Gabily et Valère Novarina s. 153-162 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005199709 |y has part: Gorecka-Kalita Joanna, Si bon gieu certes ne veïstes : l'homo sacer médiéval mis en spectacle, sur l'exemple de saint Jehan Paulus et Amadas s. 33-45 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005199964 |y has part: Risterucci-Roudnicky Danielle, Le théâtre corse : de l'insularité géographique à l'insularité linguistique s. 223-230 |
856 | 4 | 2 | |u http://libri.ucl.cas.cz/Record/b0000005200034 |y has part: Dumont Pascale, A-t-on dramatisé l'altérité et le dépaysement dans le théâtre médiéval français ? : esquisse d'analyse dans les oeuvres à thématique religieuse s. 23-32 |
995 | \ | \ | |a Polska Bibliografia Literacka |b PBL 2013-2020: książki |
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Pour une représentation d'Ève dans le Mystére du Viel Testament (env. 1450) s. 11-22
Dybeł Katarzyna
Le théâtre - la révélation de soi : Les frères Zemganno d'Edmond de Goncourt et Consuelo
la comtesse de Rudolstadt de George Sand s. 61-68,Kolbusz-Lasa Wioletta
Teatr a nauczanie literatury francuskiej w Instytucie Filologii Romańskiej Uniwersytetu Jagiellońskiego s. 175-187
Chrobak Marzena
Wielojęzyczność w komedii dell'arte na przykładzie krakowskiego Studio Dono s. 163-174
Pawłowska Elżbieta
"Textes et corps ensemble" : le théâtre dans l'ecriture de Didier-Georges Gabily et Valère Novarina s. 153-162
Paszkowska-Tarczewska Alicja
Si bon gieu certes ne veïstes : l'homo sacer médiéval mis en spectacle
sur l'exemple de saint Jehan Paulus et Amadas s. 33-45,Gorecka-Kalita Joanna
Le théâtre corse : de l'insularité géographique à l'insularité linguistique s. 223-230
Risterucci-Roudnicky Danielle