La recepción borgiana de At the Gates: Refiguraciones, intertextualidades y heavy metal
- Statement of Responsibility:
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Evangelista Ávila, Iram Isaí
- Main Author:
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Evangelista Ávila, Iram Isaí
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Format:
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Journal article
- Language:
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Spanish; Castilian
- Form / Genre:
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text (article)
- Published:
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2021
- In:
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Impossibilia ISSN 2174-2464 Nº. 21, 2021, pags. 237-261
- Subjects:
- Annotation:
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The following paper discusses the reception of Jorge Luis Borges Short-stories by the Swedish band At the Gates. The influence of the South-American author ismade evident in some of the lyrics in the At War with Reality (2014a) album. At the Gatespresents a refiguration (Ricœur, 2009) of the borgesian narrative and creates redescriptions ofthe plots and the setting. Besides, the lyrics contain intertextual elements (Zavala, 2017) thatare related with the texts of the Latin-American writer. This paper shows a proposal of Atthe Gates against an imposition of reality that is similar to that in Borges' work
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| 520 | 3 | \ | |a The following paper discusses the reception of Jorge Luis Borges Short-stories by the Swedish band At the Gates. The influence of the South-American author ismade evident in some of the lyrics in the At War with Reality (2014a) album. At the Gatespresents a refiguration (Ricœur, 2009) of the borgesian narrative and creates redescriptions ofthe plots and the setting. Besides, the lyrics contain intertextual elements (Zavala, 2017) thatare related with the texts of the Latin-American writer. This paper shows a proposal of Atthe Gates against an imposition of reality that is similar to that in Borges' work |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Refiguración | ||
| 650 | |a Intertextualidad | ||
| 650 | |a Semejanzas | ||
| 650 | |a Letras de Canción | ||
| 650 | |a Narrativa | ||
| 650 | |a At The Gates | ||
| 650 | |a Jorge Luis Borges | ||
| 650 | |a Refiguration | ||
| 650 | |a intertextuality | ||
| 650 | |a similarities | ||
| 650 | |a lyrics | ||
| 650 | |a narrative | ||
| 650 | |a At the Gates | ||
| 650 | |a Jorge Luis Borges | ||
| 655 | \ | 4 | |a text (article) |
| 773 | |t Impossibilia |x 2174-2464 |g Nº. 21, 2021, pags. 237-261 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=7955995 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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