El retorno del marido en el romancero y en las tragoúdia tradicionales griegas

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                            [a] => Este trabajo compara el motivo del retorno del marido en dos manifestaciones de la baladística europea, los romances novelescos españoles y las tragoúdia tradicionales griegas. Tras esbozar una introducción a los géneros, el autor presenta la estructura de dos poemas que sirvieron como base de la investigación. Seguidamente, se lleva a cabo un análisis detallado, a partir de un buen número de versiones. Según se concluye, además de las semejanzas y analogías, hay un aspecto que diferencia las dos tradiciones: en los romances, se hace énfasis en las pistas que da la mujer a su marido, quien acaba persuadiéndola; en las baladas griegas, la mujer no está convencida cuando su marido revela su identidad, de modo que le somete a una serie de pruebas antes de convencerse. Según la hipótesis defendida, la importancia dada a este aspecto se debe a una mayor influencia de la Odisea en la balada griega.
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