El mito trágico de "andrómaca" en el panorama hispánico dieciochesco: traducciones, versiones y recreaciones
- Statement of Responsibility:
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Sebastià Sáez, María
- Autor:
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Sebastià Sáez, María
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- Format:
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Artykuł z czasopisma
- Język:
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Spanish; Castilian
- Forma / Gatunek:
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text (article)
- Opublikowane:
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2017
- W:
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Studia philologica valentina ISSN 1135-9560 Nº. 19, 2017 (Ejemplar dedicado a: La cultura humanista: influencias del humanismo en España y América), pags. 153-164
- Hasła przedmiotowe:
- Adnotacja:
-
Euripides' Andromache and Iphigenia in Aulis became extremely relevant in west drama arts, because of the success of Racine's versions in the 17th century. Therefore, I shall study how the Euripides' myth, through Racine, arrives into the Spanish literature and writers. To achieve that, I will outline the Spanish translations, version and recreations from the 18th century. I will focus on Margarita Hickey's translation (1759), Clavijo y Fajardo's lost Andromache (after 1770) -a translation from Racine's one-, Pedro de Silva's adaptation Al amor de madre no hay afecto que le iguale (circa 1764), that became a «heroic comedy» and Manuel Lassala's «lyrical scene» Andromaca (1788).
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| 520 | 3 | \ | |a Euripides' Andromache and Iphigenia in Aulis became extremely relevant in west drama arts, because of the success of Racine's versions in the 17th century. Therefore, I shall study how the Euripides' myth, through Racine, arrives into the Spanish literature and writers. To achieve that, I will outline the Spanish translations, version and recreations from the 18th century. I will focus on Margarita Hickey's translation (1759), Clavijo y Fajardo's lost Andromache (after 1770) -a translation from Racine's one-, Pedro de Silva's adaptation Al amor de madre no hay afecto que le iguale (circa 1764), that became a «heroic comedy» and Manuel Lassala's «lyrical scene» Andromaca (1788). |
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