«Pues reprimamos / esta fiera condición»: márgenes para la rebeldía en la tragedia del Siglo de Oro

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                            [a] => The tragedy arises in a Greek setting but evolves towards different thematic parameters according to the symbolic universe of the time that welcomes it, although its formal architecture remains in spite of the varying nuances of its readings. Thus, in the Golden Age, fatality will be replaced by responsibility, which no longer rests with the gods but with the characters. By endowing the hero with freewill, making him the creator of his destiny and making divinity a witness of faults and not an agent of them, the Baroque tragedy opened a space for rebellion that found different gaps through which it could enter. We will analyse those margins in which are evident the subversive behaviours of characters relegated by their unknown origin, such as Segismundo and Rosaura, in La vida es sueño, but also the reverse route, in which those who rebel from a privileged position that clashes with desire, are installed on the dangerous edge between thinking and acting, and they will pay a heavy price for transgressing social norms, such as Federico and Casandra in El castigo sin venganza, or the wives of Calderonian honour tragedies, confident that «no yerra quien piensa». It will end with an unexpected margin for rebellion because this rebellion comes from an unsuspected character: the gracioso who, directly contravening and challenging his comic essence, will eventually become involved in the tragedy.
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 6,  Nº. 1,  2018,  pags. 229-245
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