Columnas de alabastro: las piernas femeninas en la poesía del Siglo de Oro, un recorrido transatlántico

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                            [a] => El siguiente trabajo examina el uso del término «columnas» como metáfora de las piernas femeninas en la poesía del Siglo de Oro español e hispanoamericano. Partimos de los dos textos más conocidos -un soneto de Francisco de Terrazas («¡Ay, basas de marfil, vivo edificio...») y otro de Lope de Vega («Yo vi, sobre dos piedras plateadas...»-, pero rastreamos también sus posibles fuentesy otros ejemplos posteriores. Relacionamos este uso metafórico con el canon de belleza de la época respecto a las extremidades inferiores de la mujer: pies pequeños, piernas de piel clara y tersa, con formas torneadas y gruesas (especialmente en lo referente a las pantorrillas) que contrastan con las formas delgadas que se preferían para los brazos.
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 7,  Nº. 2,  2019,  pags. 849-862
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