La imagen de la Numancia sitiada en la dramaturgia española, o la tragedia cervantina como modelo dramático y fuente de inspiración

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                            [a] => La imagen de la Numancia sitiada en la dramaturgia española, o la tragedia cervantina como modelo dramático y fuente de inspiración
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                            [a] => The purpose of this essay is to study the evolution of the image of  Numancia as a city under siege in Spanish drama, with Cervantes' Numancia as its  starting point. To that end we have chosen a series of works in which is depicted the  city of Numancia during the Roman siege, and by making a comparative study, and  have come to the conclusion that Cervantes' tragedy constitutes a dramatic model  which to the present day continues to inspire authors and the theatrical community.  It is to be supposed that the similarities between the work by Cervantes and those  by dramatists such as Rojas Zorrilla and López de Ayala are due to their having  used the same Roman and later sources; however, our analysis confirms that what  the fruit of Cervantes' invention, in other words the shocking scenes of life inside the  besieged city, has its obvious equivalents in the works of those authors mentioned.  In the twentieth century, on the other hand, the text of Cervantes' drama is openly  used, creating adaptations and up-to-date versions, like those of Alberti and Sastre  or, by using techniques of re-writing, new dramatic texts, original and independent  in themselves, but which nevertheless maintain an intertextual dialogue with Cervantes'  tragedy; an example of such a process is La ciudad sitiada by Laila Ripoll
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 8,  Nº. 2,  2020,  pags. 11-38
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