La función especular de Batín en El castigo sin venganza de Lope de Vega

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                            [a] => The article studies the character of the "gracioso" Batín in El castigo  sin venganza by Lope de Vega, as a mirror and inner voice of his master Federico. It  argues that Batín is a virtuous and moral servant, which does not fit the stereotypes  of the Golden Age comedy. This servant is compared to Juanete in El pintor de su  deshonra by Calderón de la Barca, since both reflect and comment on the morals  behind the actions. In both cases, the servants introduce moralizing stories that  reflect and reveal important aspects of the action. The article shows that, by the  end of Lope's tragedy, Batín leaves his master Federico, after this, one commits  adultery with his stepmother Cassandra, because he cannot continue reflecting his  master's soul. Different from Batín, Juanete remains faithful to his master Juan de  Roca. Juanete's loyalty shows him more as a commentator on the action for the  public than as a real example of moral and virtuous soul
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 9,  Nº. 2,  2021,  pags. 773-784
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