"Puñal de claveles", de Carmen de Burgos, y "Bodas de sangre", de Federico García Lorca: la frustración y la naturaleza (paralelismos y contrastes)
- Statement of Responsibility:
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Cabañas Alamán, Rafael
- Autor:
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Cabañas Alamán, Rafael
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- Format:
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Artykuł z czasopisma
- Język:
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Spanish; Castilian
- Forma / Gatunek:
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text (article)
- Opublikowane:
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Universidad de León: Servicio de Publicaciones 2009
- W:
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Estudios humanísticos. Filología ISSN 0213-1382 Nº 31, 2009, pags. 55-85
- Hasła przedmiotowe:
- Adnotacja:
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In Puñal de claveles Carmen de Burgos creates a dramatic and poetic vision based on reality, as does Lorca in Bodas de Sangre. The literature both authors conceive draws on real life. Using narrative and the theatre, respectively, they make poetry based on the same event. They use literary symbols from nature and at the same time highlight a psychological problem which envelops the characters: frustration. In Puñal de claveles this is overcome while in Bodas de Sangre it remains an inherent part of the characters, who at the same time are wrapped in their vision of nature, using parallels and contrasts, which leads us to the discovery of a certain projection and influence of Carmen de Burgos' short novel on the tragedy by Lorca.
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| 520 | 3 | \ | |a In Puñal de claveles Carmen de Burgos creates a dramatic and poetic vision based on reality, as does Lorca in Bodas de Sangre. The literature both authors conceive draws on real life. Using narrative and the theatre, respectively, they make poetry based on the same event. They use literary symbols from nature and at the same time highlight a psychological problem which envelops the characters: frustration. In Puñal de claveles this is overcome while in Bodas de Sangre it remains an inherent part of the characters, who at the same time are wrapped in their vision of nature, using parallels and contrasts, which leads us to the discovery of a certain projection and influence of Carmen de Burgos' short novel on the tragedy by Lorca. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 773 | |t Estudios humanísticos. Filología |x 0213-1382 |g Nº 31, 2009, pags. 55-85 | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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